Wim Wenders’ Perfect Days is cinema at its most quiet and profound. It follows Hirayama, a Tokyo toilet cleaner whose days repeat with simple routines, cleaning, reading, listening to tapes, taking photos of trees. But within that repetition lies a kind of poetry. Wenders slows us down, asking us to notice the beauty hidden in the ordinary. The dignity of work, the silence between songs, the fleeting encounters that stay with us. It’s a film about seeing, really seeing, the world around you. Few

"Ich weiß jetzt, was kein Engel weiß." Der Vorreiter des neuen deutschen Films wird im August 75 Jahre alt. Wir blicken auf Wim Wenders' Werk zurück. Heute mit DER HIMMEL ÜBER BERLIN: amzn.to/2L4EiHU | ARTHAUS