John Waters is always in motion. After quickly backing down a Provincetown driveway (“I don't trust these back-up cameras”), the Pope of Trash, 79, settles into his seat to tell PEOPLE about the newly ...

John Waters is a loon, always has been. Raised in the “tyranny of good taste,” he was part-Wicked Witch of the West and part-Baltimore suburbia hophead, smoking his weight in pot and submitting to the ...

Looking back on his career, John Waters by his own estimation "started in the underground," then went to independent cinema, ...

'70s Week: Waters talks the shocking Italian classic "that people were insane from" and how Pasolini's horrific, anti-fascist vision figures into his own art-meets-exploitation-film aesthetic. (As ...

“I always feel he most comfortable in the punk world because they want to be hated, which I find funny,” John Waters says, calling in from a brief stop in his hometown of Baltimore in the midst of his ...

Filth has been John Waters' bread and butter for 50 years now, long enough for statutes of limitations to run out and censors to die. From his dog poo breakthrough in Pink Flamingos to his bestselling ...

You never know what you'll hear from filmmaker John Waters, the exuberant and wacky mind behind cult classics "Multiple Maniacs," "Pink Flamingos" and "Hairspray." One minute he's discussing his ...

For a guy known for going to extremes, there are still some lines of decency John Waters is not willing to cross. Waters, the transgressive filmmaker whose trash masterpieces (trash-terpieces?) “Pink ...

"Hairspray" has become the ultimate crowd-pleaser. The 1988 cult-classic film about hair hoppers and segregation in '60s Baltimore has spawned a Broadway musical, a big-budget movie musical and a live ...