John Scofield's entire oeuvre can be roughly divided into groove-based or straight-ahead recordings. Yet even in maximum groove propulsion, as on A Go Go (Verve, 1998), to cite one stellar example, ...
It was Gary Burton who brought Steve Swallow—with electric bass in tow—into the teaching ranks of the Berklee College of Music in the early 1970s. Burton had already introduced Swallow's songs to the ...
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