Joseph Kosinski had one instruction for the sound team behind his latest feature “F1”: It needed to be as immersive as possible, and he wanted the audience to feel like they were in the car. Except, ...

Liam Gaughan is a film and TV writer at Collider. He has been writing film reviews and news coverage for ten years. Between relentlessly adding new titles to his watchlist and attending as many ...

ADGIN PRRX is an anagram of Grand Prix, the title of John Frankenheimer's monumental car racing film, which Norbert Pfaffenbichler has remounted here into a strictly metrical and deeply personal ...